In my car on the V train, heading into Rockefeller Center, people were reading the following books:
- Cathedral by Raymond Carver
- The Naked Civil Servant by Quentin Crisp
- The Diary of Peter Ginz
- Love and War by John Jakes
- Acres of Diamonds: The Russell Conwell Story by Gregory A. Dixon and Russell H. Conwell
Pretty literate group overall. It’s fun to do this but I’m probably going to stop. It’s hard to identify what everyone’s reading without lurking. To identify The Naked Civil Servant, I had to stand right next to the girl reading it. Right as I was thinking “I bet I should not be doing this,” some older guy by the door on the other side of the car said very loudly “Just say hello to her.” Point taken, society. I had crossed a boundary.
I briefly interviewed Quentin Crisp in 1994. I was a reporter for The Ridgefield Press, and Crisp had been the voice over for an independent horror film (Natural Born Crazies) some local kids made. In the pre-digital world, making a movie was a momentous occasion, so this was a story. My editor thought Crisp would be a good interview — warmly sarcastic with wry, knowing barbs.
He was exactly that — so much that the interview lasted less then 3 minutes. I called him at his New York apartment. He politely confirmed that he had done the narration. So I asked “What was it like?” And he sensibly answered something like “Well, I mean, it wasn’t really ‘like’ anything. They contacted my agent and offered a fee. I agreed, and went to a recording studio and read their script into a microphone!” He had a warm tone, but sarcastic enough that I felt stupid for even calling him. He was right: he spent maybe a day on this project; he had nothing to do with the movie really. Suddenly, I didn’t care about his involvement or the movie itself.
So I agreed that that was all there was to it, and thanked him and said good-bye! He said “Oh, is that all?” And I said “I think so.” And that was it. I went on to write a story about a woman who had taken Poloroids of her neighbors running illegal businesses out of their homes.
I wasn’t a great reporter, really.
But I’m sure Quentin Crisp was indeed a wry and observant storyteller. A girl was reading his book this morning on the V train.
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Sep 7th, 2007 at 10:59 am
I read “Book 4″ by Aleister Crowley on the V train this morning.
The V train is good for books.
Sep 7th, 2007 at 11:00 am
It’s fun, it’s informative, it makes for some good blogging — don’t stop just because it calls for a little lurking!
Nice Quentin Crisp story — like a young Carl Bernstein, you.
Sep 7th, 2007 at 11:24 am
What happened after the guy got on your case? Did you ignore him and the girl got nervous and moved to the other end of the train? Did you say hello and now you’re seeing her this weekend?
Sep 7th, 2007 at 11:28 am
I just smiled and moved away. The girl didn’t seem to notice. I wanted to tell the guy “I wasn’t interested in her. I wanted to confirm that she was reading a memoir of gay socialite’s life in 1968 London. But thanks.”
Sep 7th, 2007 at 3:25 pm
Do you have a “JOB job” besides The Funnies?
Sep 7th, 2007 at 3:32 pm
Yes. I work for AOL, an associate producer of online videos. That is where I go when I’m creepily spying on what people are reading.
Sep 7th, 2007 at 4:01 pm
Don’t stop! I bet everyone other than yesterday’s Jenny McCarthy reader were practically begging you to see what they were reading. Why else would someone bring a book on the subway in the first place?
I sometimes bring two books, and switch halfway through the ride so I can be seen reading two different pretentious books.
Sep 7th, 2007 at 11:31 pm
I use book covers sometimes. Makes you wonder.
Sep 9th, 2007 at 8:03 am
Because of people like you I only bring books that won’t embarrass me on the subway. I will read Catch-22 on public transportation, and He’s just not that into you in my bed.
Sep 9th, 2007 at 4:10 pm
CATS